Evil Bong High-5! (2016)
Film review #427
Director: Charles Band
SYNOPSIS: Trapped in the bong world, Larnell, Rabbit, Sarah-Leigh, Velicity and the Gingerdead man are looking for a way to escape. Ebee, the evil bong herself, sends Larnell, Rabbit and the gingerdead man back to Earth, promising to release Sarah-Leigh and Velicity as well if they can raise a million dollars selling Ebee’s special weed at a new weed shop.
THOUGHTS/ANALYSIS: Evil Bong High-5! is a 2016 film and the fifth in the Evil Bong film series. Following on from the end of the last film, in which Larnell, Rabbit, Sarah-Leigh, Velicity and the Gingerdead Man have been imprisoned in the bong world, they are now looking for a way to escape, with the exception of Rabbit, who is quite enjoying it. They try to convince Rabbit to help them escape the bong world (as he did before) but he says Ebee has sealed all of the previous exits. However, Ebee turns up and claims to have a new plan to take over the world, and sends Larnell, Rabbit and the Gingerdead Man back to Earth, promising to release Sarah-Leigh and Velicity if they can raise a million dollars in twenty four hours selling weed to fund her evil plan. The plot of the film is basically that; with the trio attempting to sell various merchandise and weed in order to raise the necessary money. It’s very similar to the previous film, in that most of the film is just scene after scene of new characters coming into the shop and the same process of getting them to buy weed plays out. I’m not sure what Ebee’s plan is supposed to be, or how an evil bong can conquer the world using only a million dollars, but the nuances of the story aren’t really going to be an issue in this film, as with all the other previous films in the series, it’s just a cheap, silly film you can watch when you’re high.
There’s plenty of returning characters that viewers will recognise. Larnell and Rabbit are the most prominent characters that have been in every film (with the exception of the evil bong herself), and are still their usual selves. The Gingerdead Man seems to have become a staple of the series now after the previous film and the Evil Bong vs Gingerdead Man crossover, but he does very little, apart from the occasional bakery pun. The rest of the characters, many introduced in the previous film, enter scene by scene as they enter the bong shop and perform their one-dimensional characters again exactly like the previous film. Some of them are somewhat funny, but others are unremarkable. Larnell’s grandfather making a return is welcome as he spews out long-winded insults at him, but other than that he just appears in the one scene without any impact on the plot.
In keeping with tradition, this is not a very high-end production film, and scenes take place in one of two locations: the weed shop, or the bong world (which is just a green-screen). A lot of the film is essentially tied up in dialogue and bickering that goes nowhere; maybe if it ended in a punchline or something funny happening it could be forgiven, but that rarely happens either. There’s plenty of crude humour, nudity and weed jokes that will I’m sure appeal to it’s target audience. If you’re not high as a kite, there’s not going to be much here to appeal to you: it adds little to the series, and repeats a lot of what it has done before.
Pass Thru (2016)
Film review #385
Director: Neil Breen
SYNOPSIS: …I don’t know. An artificial intelligence travels to the present to help guide humanity, who have lost their way with war, crime and corruption. The A.I. takes the body of a drug addict and befriends two migrant children who have escaped smugglers after they cross the U.S. border while it carries out it’s work.
THOUGHTS/ANALYSIS: Pass Thru is a 2016 film. The film is written, directed by and stars Neil Breen, who has a track record for making many of these films single-handed. The film starts off showing some people smugglers getting some people across the U.S. border, and essentially imprisoning them. Meanwhile, a drug addict who helped them is given his payment in the form of drugs and passes out (or dies, I don’t know). Then an A.I. from a thousand years in the future turns up and takes his form…or possesses him? Nothing is really explained here. The A.I. says in one of its many, many monologues that humanity has lost its way through war, corruption and such, and in order to get it back on track he plans to kill about three hundred million people. That’s it. He befriends two of the smuggled migrants who managed to escape, who is converses with in between monologues and visiting corrupt bankers, lawyers and politicians before making them disappear. Oh and there’s a sub-plot with some kids and a professor watching outer space for anomalies or something. This film has little to no coherence or substance, and it obviously focuses on Breen professing his morality. Corruption, war and crime are bad: we already know this, and the film doesn’t really offer any solutions or interesting takes on it, instead just opting to make bad people disappear without showing any real consequence. The mix of monologues and dialogue scenes don’t come together, and all of the other characters don’t really make any contribution, lest they distract from Breen’s holy vision.
The A.I. is revealed to be called “Thgil”, which is obviously “light” backwards, and the film makes a major fuss over it, like it’s a creative revelation or something. Breen’s films always have him in the starring role as a very, very, very, very (very) thinly-veiled Christ figure whose mission is to unveil the corruption and evil in the world and fix it. I can’t help but feel this guy has a complex of some sort. As mentioned, it’s not exactly a revelation that the rich and powerful are corrupt, and war is bad, so I don’t see how this film is going to convert anyone to whatever Breen is trying to sell (kill three hundred million people? I don’t know).
So apart from the story being non-existent, the acting is all awful, and delivered so flatly and without life you can never be immersed in the film because every little gesture and speech sounds forced. The special effects could be done by anyone with a greenscreen and Photoshop, and the most ridiculous effect is the tiger that randomly appears throughout the film for no reason, especially when Breen tries to interact with it. There is also an obsession with drone shots with the film, since Breen clearly just bought one and wanted to fill the film with shots from it. The film might as well be about Breen buying a drone. Overall, Pass Thru is a one-man operation that tries to preach a message you already know. as a film the story is non-existent, the dialogue is forced, the acting is awful and the effects aren’t good enough to be described as amateur. It really does have to be seen to be believed, and might be worth a watch for a laugh if it doesn’t bore you to sleep first.
Film review #370
Director: Mike Norris
SYNOPSIS: In the near future, where the president of the United States has signed over much of the country’s power to the United Nations, the governing body secretly launches an E.M.P. at the country to disable all electronics and use the attack as an excuse to declare martial law and to confiscate everyone’s guns. A group of people band together and decide to fight against the ‘tyranny’ of the United Nations occupying forces, and defend their second amendment rights.
THOUGHTS/ANALYSIS: Amerigeddon is a 2016 film and clearly meant to be a ‘warning’ about the dangers of Americans having their guns taken away n order for them to protect themselves against an overreaching government. The film starts off with a dire warning about the the dangers of an all powerful government, which will possess the ability to remove it’s citizen’s rights and sign them away to the “new world order”. This phrase is the typical boogeyman of the right-wing for which this film was obviously intended for to fulfil their fantasies of fighting back against their government, and it is constantly throwing the phrase out to try and make it sound as evil as possible. Using some out of context clips of politicians using this phrase (including the right wing’s other boogeyman, Barack Obama) to again create this all encompassing enemy of the people. Let’s be completely clear why this film was made: to scaremonger people about the possibility of the evil government coming to steal their guns (not that it is going to convince anyone other than those who hold those beliefs), and to fulfil the fantasies of those who think that they will one day be American heroes by using their guns to fight the oppressive regime of the new world order, or something equally implausible.
The story is set in the near-future, where the government and successive presidents have signed over most of their powers to the United Nations, who also see American citizens with guns as domestic terrorists. An E.M.P. is launched at the country and knocks out all of the power, giving the government an excuse to declare martial law and confiscate all of the citizen’s guns. Society descends into chaos as the characters find their way to each other to form some sort of resistance. It is quite apparent that this whole plot makes no sense…basically because the whole fantasy of rising up against the tyrannical new world order also makes no sense. Firstly, characterising the U.N. as an evil organisation intent on world domination is ridiculous and has no basis in reality. Secondly, what possible benefit would there be to destroying all the electronic devices in the U.S.? Given that a lot of global companies and assets are there, it doesn’t make any sense to wipe them all out. Thirdly, why would the new world order, if it really had control over all the governments in the world, feel so threatened by a bunch of ill-trained civilians in the middle of nowhere they would need to send in their army to wipe them out? Fourthly, the story is a direct copy of the film Red Dawn, while also managing to strip out anything interesting. Trying to understand the plot of this film is like trying to decipher the conspiracy theories that fuel it: it’s not possible, because they don’t make sense in the first place. They are hypothetical scenarios (fantasies) used to justify owning weapons and funding the organisations which relies on the fantasies peddled by this film.
The characters are themselves a bland cast of politicians, soldiers, and families who you would typically associate with the idea in this film: “real Americans” like people who own ranches in the middle of nowhere. The cast is not in any way diverse, and any elements that pretend to diversify or offer alternate view points are acts of tokenism, or just turn out to be the wrong path, such as Penny’s going to a ‘liberal arts college’, only to come back home to the safety of her gun-wielding family fighting against the world’s most powerful army (seriously…). The acting is all pretty bland and stale, and there’s no originality or interesting aspects to them. This is probably intentional so that viewers can fantasise about themselves being in such a position instead, allowing them to project their fantasies into the ‘story’ with ease.
The production and special effects throughout are pretty bad. The finale is by far the worst part though, as the U.N. apparently sends a whole squad of personnel to the ranch, which consists of a few men, three vehicles and a helicopter. Again, if the world’s most powerful organisation really wanted these citizens, they would certainly overwhelm them with much more force, so again it holds no basis in reality. Also, the U.N. soldiers mostly wear blue caps with a crude U.N. logo stuck to them, and quite frankly it is ridiculous how non-threatening they look. The final fight consists of the U.N. helicopter, which clearly is just a normal civilian helicopter, against the citizen’s gyro-copter, which again in reality would stand so little chance it is hilarious. The film ends with the proclamation that they have “won the battle, but not the war…”, ominously setting up some sort of sequel, but thankfully one can hope that none shall emerge: this film is bad, in almost every aspect. I have used the term ‘fantasy’ a lot through this review, and that’s precisely what it is: a fantasy for those who think that they are patriotic heroes by amassing firearms to fight back against an oppressive government. It is a fantasy that holds no basis or credibility in reality. I would label this film as dangerous propaganda if it wasn’t so bad and unbelievably inept at getting its point across. No one is going to be convinced by the arguments in this film if you weren’t before, and for those that were it is just another hollow fantasy to indulge themselves and their bankrupt ideologies in. Terrible film about terrible ideas that can’t convey any reasonable arguments or facts.