#466 – The Lost Planet (1953)
The Lost Planet (1953)
Film review #466
Director: Spencer Gordon Bennet
SYNOPSIS: Investigating a suspected U.F.O. crash in the mountains, reporter Rex Barrow and photographer Tim Johnson head there to check it out, but find themselves captured and sent to the planet Ergro by scientist Dr. Grood, who sends them to work on the planet to mine minerals and build his inventions to take over the universe. Rex, Tim, captured scientist Professor Dorn and his daughter Ella must overcome Grood’s mind control device and other contraptions as they try to put a stop to his evil plans…
THOUGHTS/ANALYSIS: The Lost Planet is a 1953 serial produced by Columbia Pictures and comprised of fifteen chapters. It is the last science-fiction serial that the studio produced (although the studio itself only produced three serials which could be fully described as “science-fiction”). The serial starts out with reports of a flying saucer crashing on Mount Vulcan, and reporter Rex Barrow and photographer Tim Johnson go to investigate, but end up getting captured along with Ella Dorn, and taken by rocket ship to the planet Ergro, where evil scientist Dr. Grood has taken over the planet to mine a new element that fuels his evil inventions. The plot of the serial revolves around trying to stop Grood and his various inventions, most notably his mind control device, which places prisoners in his power. It’s not only that though: this element that Grood is mining also fuels inventions such as a death ray, mind-reading device, invisibility and a whole host of other sci-fi tropes. Normally just one of these inventions would be enough for a serial to focus on, but here they’re all thrown into the mix. While this helps with keeping the serial varied across its fifteen chapters, it also has the effect of having little focus on any one of them. The one which stands out most is the use of the mind-control/hypnosis device. which is probably the least interesting of them all, and a lot of the plot just revolves around being hypnotised and de-hypnotising certain characters, creating a predictable back-and-forth.
One of the interesting aspects of this serial is that it seems to have been planned to be a sequel to the Captain Video serial. A lot of the same actors return, and the costumes and props are obviously re-used from it (for example, the outfits of the “video rangers” are used for the uniforms of the brainwashed people on Ergro). Whether the idea of making this a sequel was scrapped early on for some reason is anybody’s guess. The characters themselves are an unassuming bunch, and fit the typical parts that these serials provide. Unlike Captain Video though, this serial actually has a female character, although as usual, her only noteworthy aspect is being related to another more important male character. There’s a number of villains that have their own unique personalities and play off against one another, but it never really develops into something remarkable, and the web of villains just becomes confusing and muddled. Particularly as the serial switches between Earth and Ergro constantly.
In terms of production, there’s some decent sets in this serial. The rocket ship looks good, and the space travel sequences between Earth and Ergro look pretty good, considering in 1953 no one had ever been into space. The acting is not great, but there’s definitely worse performances I’ve seen in serials. It might have gotten away with it, but some of the dialogue is pretty dull and loaded with technical jargon that the actors seem to be convinced about saying. One other problem is that both Earth and Ergro look exactly the same; obviously because both are filmed in the California hills like every other serial, and as such this adds to the confusion surrounding the story, as both planets look so alike you don’t know where you are some of the time. Another curious decision about the making of the serial is that there’s none of the typical fistfights you get in nearly every serial: the only time someone throws a punch is when Rex is turned invisible, and so even then, you can’t see him actually throw the punch. This is incredibly strange, most notable because Spencer Gordon bennet, the director, practically invented the choreography for serial fistfights. Maybe they wanted to focus on the scientific inventions and their varied effects for the action, but even then, as mentioned, this is only the third sci-fi serial Columbia made, and it seems a bit out of their comfort zones.
Overall, The Lost Planet is a bit of a mess, and suffers from attempting to do too much. The inventions and sets are cool, but they’re all just props without a decent plot to coalesce around. The stakes are pretty detached as most of the action unfolds on this non-descript planet, and the characters fail to make an impact despite having such a large cast. The lack of action in this serial is very questionable, and the array of inventions don’t really fill in the gap. The whole serial is full of typical set-ups and schemes, but fails to give any motivation for the characters, or direction for a plot to develop.