#489 – The Monster of Piedra Blancas (1959)
The Monster of Piedras Blancas (1959)
Film review #489
Director: Irvin Berwick
SYNOPSIS: The quiet Californian town of Piedras Blancas hides a dark secret: in the caves beneath the lighthouse, there hides an ancient monster that starts killing the residents of this sleepy town. Unaware of the monster’s existence, a number of the residents try to find out what is causing the killings…
THOUGHTS/ANALYSIS: The Monster of Piedras Blancas is a 1959 sci-fi horror film. Set in the small lighthouse town of Piedras Blancas in Southern California, the residents of the town find themselves being killed off one by one, with no idea who…or what is doing it. The film is paced like a typical monster movie of the time, with very little momentum at the beginning, and various murders until the monster’s reveal. The pacing is very slow in this one, and we only get the reveal of the monster about two-thirds of the way in, and everything before just involves these cast of characters that do little to distinguish themselves. The dialogue is pretty dull, and the character development doesn’t help make things exciting. I suppose this dullness reflects the setting of this sleepy seaside town, but it doesn’t really make for an interesting movie.
The film is an independent production, so it doesn’t have the backing of the big studios, but then again, those same studios were cranking out films like this at about the same quality, and the same runtime just over an hour long (this runtime was typically suitable for being shown at drive-in cinemas as part of double features, that were popular at the time). As such, it’s rather indistinguishable from a more ‘mainstream’ production. The on-location shots of the cliffs and the town do give it a more authentic feel instead of just relying on sets, so it does have that going for it. The cast of characters can easily be remembered by their roles, and their names are somewhat irrelevant: you have the doctor, sheriff, storekeeper, lighthouse keeper and the young couple. Each of them, as mentioned, fills out a fairly predictable role, and adds very little to proceedings. The young woman manages to show a lot of skin fairly regularly (even going swimming in the sea naked at one point), which would have been a little risqué at the time, and not something I’m sure a bigger production could have gotten away with.
The most notable aspect of this film is definitely the monster itself. Very similar in design to “The creature from the black lagoon,” (and designed by the same creator), the monster is based on a diplovertebron, which was a prehistoric creature that lived over three hundred million years ago. We don’t get too many shots of the creature in it’s full glory, but when we do it looks fairly decent for the time, with a scaly skin and water oozing out of its mouth. One of the other most memorable aspects of the film is the use of gore. In most Hollywood films, the killings would be done offscreen or without any blood or viscerality. When we get the full reveal of the monster, he is carrying the bloody decapitated head of his latest victim, which certainly comes as a shock, since nothing else has happened in the film up to that point, and also you just don’t expect to see that kind of gore in these films; also, the effect looks pretty convincing too. We get another shot later on of the abandoned head being walked over by a crab which is also has the same effect, but apart from that, there’s not too much to say about this film. The Monster of Piedras Blancas is a fairly forgettable film save for one or two moments that show off its horror credentials. It’s fairly short runtime means you can probably check it out without too much fuss though.