Evil Bong 420 (2015)
Film review #425
Director: Charles Band
SYNOPSIS: Having escaped the bong world, Rabbit sets up a bowling alley to fulfil his dreams. While he is welcoming his guests for the opening night, Ebee, the evil bong herself, along with the Gingerdead man, who is also trapped in the bong world, arrange to travel to the bowling alley and return Rabbit back to the bong world…
THOUGHTS/ANALYSIS: Evil Bong 420 is a 2015 comedy horror film and the fourth film in the Evil Bong film series. Following the last film, where Rabbit was trapped in the bong world, where the evil bong creates illusions to keep people their forever, he decides to follow his dream and opens a topless bowling alley where people can smoke weed. That…is basically the plot of the film. With a run-time of only fifty-three minutes, it’s barely a film at all, and even then it still seems to have trouble filling the screen with content. Most of the first half of the film is just dialogue, with Rabbit welcoming the various guests into the bowling alley. None of these characters are particularly interesting, and only serve as a stereotype to make very specific jokes. You would think that these characters are being introduced only to be killed off later as this is a horror movie after all, but no; none them are killed and only one gets an injury. The whole setup just seems pointless.
Apart from all the new characters that are introduced in the film for no reason, there are a few returning characters, such as Rabbit, who seems to have become the main character of the series now, and Larnell, who is stuck in a love triangle. Of course, Ebee the evil bong herself returns, but spends most of the movie in cut-aways to the bong world, where she engages in trash talk with the “gingerdead man.“ I imagine these scenes are hilarious if you’re stoned watching a bong and an evil gingerbread man arguing with each other, but otherwise they’re pretty uninspiring. The gingerdead man himself is a character from another film series (unsurprisingly called the gingerdead man) made by the same production company, and previously crossed over with the evil bong franchise in the Evil Bong vs Gingerdead Man film of 2013. The character himself is perverted, dirty and a nasty bit of work, but never gets round to killing anyone. The focus seems to be much more on the gingerdead man than the evil bong, which is distracting, and gives the film a different feel than its predecessors. All of the other characters apart from Larnell and Rabbit are however missing from this film, and that makes it feel pretty empty.
The Evil Bong series has definitely not been a high production affair, and Evil Bong 420 definitely continues that. The action is entirely limited to the bowling alley, which is in keeping with the minimal sets of the other films (although they had at least two or three). Someone at least knows how to frame a shot and edit a scene in this film, as even though the dialogue goes on for far too long, at least the camera work breaks up the monotony a little. The CG is pretty bad, but that’s expected. There’s definitely a change in tone with this film, as it doesn’t really make much attempt at a story, and instead just focuses more on being a lot more explicit and crude, mostly in the form of much more nudity and sex jokes. It overall feels a bit tasteless and devoid of any substance (not that there was much to begin with in this film series). On the one hand, I suppose it is appealing more to people who are watching this film while high, as they will have no real concern for the story, but the film still is mostly a lot of dialogue and set-up for things which don’t happen. There’s perhaps one or two funny jokes in the first part of the film, but the flat acting shaves off some of it’s impact. Overall, I think it’s fair to say that Evil Bong 420 is the low-point of the franchise (so far), and is fairly mindless in it’s story, set-up and characters, with an altogether tasteless and crude sense of humour.
10000 Years Later (2015)
Film review #351
Director: Li Yi
SYNOPSIS: Ten thousand years after advanced civilisation was wiped out and the world reverted to a pre-technological state, Joma and Yalayam of the Ballad tribe are travelling the western region to tell the tale of the fall of civilisation. Unfortunately, Wugreb, who once tried to steal the ancient powers to rule the world, has returned, and Joma alongside her new friends must find a way to stop Wu before he releases the ancient civilisation’s power back onto the world, all controlled by him…
THOUGHTS/ANALYSIS: 10000 Years Later is a 2015 Chinese animated film. It is a mix of post-apocalypse, science-fiction and fantasy elements, as it is set (as the title suggests) 10000 years after civilisation suffered a catastrophe that sealed away all of its advanced technology and left the world in a pre-technological state. The world is now separated into various tribes, which include anthropomorphic animals and various mutations brought about by the catastrophe. Joma and Yalayam are from the Ballad tribe, who wander through the western region telling the story of the fall of the ancient civilisation to the other tribes. They also tell the story of Wugreb, who once tried to steal the ancient technology that is sealed away and rule the world with it, warning that anyone who tries to do the same will be met with the same fate. However, Wugreb (or Devil Wu, as he is also known) has returned, and is attempting to once again take the technology of the ancient civilisation for his own. The story relies a lot on this extensive world-building, and how the world has changed since the fall of civilisation as we know it. Sometimes it is easy to follow, but at some points it gets overly complicated, and for a film that is just over ninety minutes long, the explanations and exposition it gives do seem a little excessive. Nevertheless, it is an interesting world that is built, and the variety of locations and characters give it a unique sense of life and vibrancy. The people refer to famous people throughout history (Einstein, Beethoven etc.) as the “Gods” of the old world, and it is an interesting way to interpret history’s most pivotal figures. There are these odd scenes which play out quite nicely, but they are mostly used to explain the state of the world, and when the film returns to the main characters, they seem much less interesting.
Joma goes to see an oracle, who tells her that she is the only one who can stop Wu, and she must go to Kuger, the tomb where Wu was imprisoned, to stop him. Along the way Joma is joined by a cast of characters from different tribes who all inject their own personalities into the film. The film very much has a Lord of the Rings feel to it, with the group travelling to their destination to stop the oncoming evil, and all the perils that they encounter. But again, there’s a lot of backstory and exposition that disrupts the flow of the film, and you really have to focus and pay attention to follow what is going on. The characters on the whole, though, are distinct enough to be able to follow, but for all the explaining and exposition, don’t really do much, so it’s hard to get to know them as characters. At once point the film deals with the meeting of the Gods which I can’t really make sense of; and whether they are actual Gods or not is anyone’s guess. Joma as the main character is also a bit bland and uninteresting: even though she is marked as the chosen one, she doesn’t really have any defining traits or character defining moments that make her stand out, and she is often very passive to the events of the film. The ending of the film also does little to elucidate the significance of Joma’s role, and makes little sense. The designs of some of the villains, with their multiple faces or limbs and other bizarre features are both scary and creative, and the somewhat imperfect animation actually helps exemplify their grotesqueness.
This film is entirely CG animated, and for the most part it creates a world that has immense scale, colourful diversity and interesting locales. We see ruined versions of recognisable cities such as New York and Sydney, which add some interesting shots and perspective on the story. There are some moments when the animation gets a bit clunky, and facial expressions and movements sometimes look a little stifled or flat, but otherwise it doesn’t distract too much from the film. It’s not cutting edge in terms of its graphics, but it is passable for a kids film. Apart from the Lord of the Rings influence mentioned above, there is also a certain amount of ‘inspiration’ taken from the Marvel Avengers films. When I say inspiration, that often becomes blatant copying, such as the five stones that Joma carries containing seeds from across the western region clearly being based on the “infinity stones” in the Marvel universe, and there is a shot which copies exactly the iconic shot from the 2012 Avengers film of all the superheroes together for the first time on the streets of New York City. All this copying does cheapen the film’s overall image, but being a Chinese film, where these films would not have seen much of a release, the audience probably won’t even know they are being copied. The editing of the film also feels quite choppy in parts, such as when the big final battle begins, the enemy soldiers slowly emerge, and it instantly cuts to the whole army appearing, which really interrupts the flow of the film (though it probably saves on the animation costs).
One more significant aspect of the film is the amount of gore and violence throughout. I can’t really tell what the ideal age range is for this film: it seems mostly kid-oriented, but even from the opening, there are people being sliced up, bloody battles with people being cut in half and stabbed, and so on. I’m not sure what the standards are for Chinese cinema in terms of violence in children’s films, but it definitely wouldn’t be a child-friendly film in the west. Overall, 10000 Years Later creates an interesting and colourful world with a rich back-story, but the focus of the story and its main characters are often lost in the overly complex world and narrative that can be difficult to follow. The character designs are creative and unique, but again the personalities of the main characters are dull by comparison, and often get lost in the grand scale of the world. The large-scale battles are impressive and entertaining, but it is obvious that they are copying from the Marvel films and Lord of the Rings, which obviously do them much better, and make the film feel like a cheap imitation…which, let’s be honest, is exactly what it is. There are some emotional moments (there’s a scene right at the start which pulls you in instantly…you’ll know it if you see it), and the gratuitous use of gore and violence really gives weight to the fighting scenes, but ultimately there is no real pay-off to investing in this world, and it offers very little that is unique.