Bong of the Dead (2011)
Film review #540
Director: Thomas Newman
SYNOPSIS: A meteor shower that strikes the Earth has the effect of turning everyone in to zombies and thus causing an apocalypse. A few months after this, two stoners, Tommy and Edwin, discover that the zombies can be used as fertiliser to create super powerful weed. With this in mind, and their weed stocks running low, they decide to travel to the zombie infested areas to get more of their fertiliser, but on the way, they run into a young woman surviving on her own…
THOUGHTS/ANALYSIS: Bong of the Dead is a 2011 film written, produced and edited by Thomas Newman. The film opens up meteors falling to Earth, one of which lands in a man’s garden, who starts to transform into a zombie. This opening scene is played with no dialogue, as we slowly see this man transform into a zombie, along with his wife. This opening scene is fairly clever, using no dialogue, and just showing the man’s transformation using plenty of visual effects. The way his wife is shown to be as much of a zombie as he is when she’s just sitting watching TV is quite clever, and the ending shot of them sitting on the sofa casually picking out each others organs and eating them is such a well executed shot thanks to all the gore and practical effects, and its certainly not what you would expect from a low budget film called Bong of the Dead.
When we get into the film proper, we see something a bit more of what we expect to see: a few months after the meteors have caused a zombie apocalypse and wiped out society (supposedly, we don’t really see anything of it), two stoners, Tommy and Edwin are hiding out in their apartment, when Edwin shows Tommy he has found a way to turn the zombies into fertiliser that can grow super strong weed, they decide to brave going outside into the infected zones to make some more of this weed. Along the way, their car breaks down and thy meet Leah, a mechanic who helps them fix it. I think the film can be easily split into it’s good and bad points: the story is very typical and threadbare, and just consists predictably of a lot of weed smoking and occasional zombies. There’s a villain who appears in two separate scenes, but he doesn’t really have much of a role. The rest of the film is just scenes of empty dialogue that exist probably just to extend the run time. Speaking of which, the film stretches to nearly one hundred minutes, which is way too long for this sort of film. As always, I try not to be too harsh on low budget films like this made mostly by just one person, and try to judge a film based on what it tries to achieve with what it has, but the script definitely needed some help with regards to pacing, content, and just simple cuts. We also get an end credits scene that sets up for a sequel that, unsurprisingly, never came. Why do so many of these low budget films love to set up for a sequel that they never make?
On the positive side, the film’s gore is really good and creative: the practical effects are flowing with flesh and blood, and even in close-ups, it looks pretty convincing. The action scenes where the zombies are getting sliced up look great, and there’s so much blood and gore that covers everyone it’s quite impressive, and gives a real authenticity to proceedings. Apart from this though, the rest of the production is more obviously limited by the budget and being a mostly one man operation, with fairly obvious greenscreens, and a lot of scenes being shot in someone’s house. Even though the camerawork and framing feels like it could have been better, for one person with a camcorder, it’s fine. Overall, for an almost one-man production, Bong of the Dead does some things better than you would expect: the practical effects are good, and there’s some effort put in to throwing about as much blood and gore as possible in some scenes. This is counterbalanced in the story not having anything special outside of typical stoner humour and zombie apocalypse stuff, and an overly long runtime dilute the positives, so we’re left with a fairly typical film that does what you expect. nevertheless, credit where it is due to Thomas Newman for pulling this off almost entirely by himself.