Evil Bong 666 (2017)
Film review #431
Director: Charles Band
SYNOPSIS: Having bought Ebee’s weed shop from Rabbit, Lucy Furr intends to sacrifice unsuspecting customers in order to open up a portal to “Sexy Hell.” However, Ebee, the evil bong herself, has her own plans for the shop, and intends to once again conquer the world by selling her own weed products…
THOUGHTS/ANALYSIS: Evil Bong 666 is a 2017 comedy horror film and the sixth film in the Evil Bong film series. Picking up from end of the previous film, in which the cast is banished to “sexy hell.” Meanwhile, Lucy Furr has bought Ebee’s weed shop from Rabbit, and when she learns of the existence of sexy hell from Ebee the evil bong, who has escaped from there, she decides to open up a portal to go there herself by sacrificing customers that come to the shop. There isn’t really much of a story here other than Lucy Furr selling weed to customers coming into the shop, and most of the scenes just consist of standing around and talking. This has been the mantra of the last three of these films, but with the others, the characters were at least trying to be funny. The film is severely lacking in comedy or horror, and instead just focuses on some crude humour and nudity which itself is just forced and without any real effort or connection to anything. There’s a sub-plot with a “Faux Betty Boop” character, but I honestly couldn’t work out what was going on there. The previous films were hardly a masterwork of cinema, but they at least tried to deliver some humourous lines or characters. Here, it just seems nobody is trying.
In keeping with the evil bong continuity (which is a thing I guess), a number of the characters from the previous films return. The evil bong Ebee herself obviously returns, as does Rabbit, who is the only character to have appeared in every film. The character of Larnell, who was in every other film until this point, is missing, and without him the film loses it’s focus, opting instead for making Lucy Furr the lead, who just doesn’t have the presence or character to make it work. The gingerdead man returns as well, but his character has been pretty meaningless for a while. Some other minor characters return, but they’re also barely worth mentioning, and when Ebee or Rabbit aren’t on screen, you get the feeling that nothing of importance is happening (that can also be said when they are on screen too, but slightly less so).
When the portal to sexy hell is opened, the cast find themselves confronted with “Beelzebud,” because this series loves weed-based puns. The climax of the film is a mish-mash of world domination ploys and bickering, which again isn’t interesting. The film once again only has two locations: the weed shop and “sexy hell” which is adorned by CGI of floating cleavage and other monstrosities that I don’t need to remember. In it’s defence, this is obviously a low-budget film, but that cannot excuse the lack of humour or interesting story. Overall, Evil Bong 666 is a mess that doesn’t really do anything: if it wants to be a comedy, it doesn’t make an effort to have any funny jokes or setups, and if it’s meant to be a horror, there’s no suspense, scares, deaths or gore to invoke any sense of fear or dread. It’s just sixty-five minutes of minor characters bickering without any direction or motivation. As with the rest of the film’s in the series, this is obviously meant to be a film you watch when you’re high and not really focused on the intricacies of the story of evil drug paraphernalia, but there’s nothing visually interesting or funny to enjoy in that state. It’s probably not much worse than the other films, but it’s definitely not better than them, as it barely registers a laugh, and the weed puns have long since been exhausted.